
Rachel with our sign, watching the Today Show be filmed!

Rachel with our sign, watching the Today Show be filmed!
I love traveling. I love exploring new places. I love seeing new sights.
When a friend recently asked me if I would like to go to NY with her for an “all tourist, all the time” weekend, I didn’t even have to think. Why, yes, I would love to.
We talked about things we wanted to do for the weekend. When I looked at the list, I realized it was aggressive. Would we really be able to do all the things we wanted to? Had we over planned? This, I realized, was a job for a spreadsheet.
I created a Google docs spreadsheet. I created one hour time slots for the three days that we’re in NY. I tentatively filled in what we wanted to do, places to see, restaurants to eat at, museums to peruse.
And we’ve been slotting, and rearranging, and making reservations since. I don’t really believe we’ll stick to our schedule. It is ambitious, after all. However, I am beyond excited for our trip. No matter what happens, we are going to have a good time.
A former neighbor, Frederic, recommended a rooftop restaurant in Prague. I discovered, quite by accident as I was wandering one evening, the hotel where the restaurant was located was quite close to my apartment. Knowing Frederic’s exquisite taste, I decided to have my last dinner there, because I knew it would not disappoint. Except, that it was closed because of the cold weather. Sigh. The concierge recommended I try a restaurant, Terasa, in their sister hotel not too far away.
I walked through the winding streets, sure I was lost, then came upon the hotel. I took the lift to the top floor, then climbed a narrow staircase to the small restaurant. The maitre d’ greeted me.
“Do you have any availability for dinner?”
“I’m sorry, ma’am, we are a small restaurant and completely booked for the evening.”
Disappointed, I sighed. “Oh. Okay. Can you recommend another restaurant?”
“Please try the rooftop restaurant at Aria, our sister hotel not too far from here.”
I started laughing. “They sent me here. They’re closed for the winter.”
He laughed too. “One moment, ma’am.” He left and came back a few moments later.
“The kitchen says if you would like to eat right now, we can serve you.”
It was only 4 pm, but I was starving. I had been sightseeing all day and had not stopped for lunch. “That would be lovely.”
He escorted me to a table for two to a window overlooking what seemed to be all the rooftops of Prague.

He took my coat and pulled out the chair for me. After I sat down, he lit a candle on the table. Being the only person in the restaurant, I felt like a queen. As I perused the menu, I realized that no matter what I ordered, it would be delicious. After two plus weeks of eating heavy meat dishes, I was ecstatic to see several seafood dishes on the menu. After I ordered, he returned with an amuse-bouche of salmon terrine. I love the concept of amuse-bouche. I’ve never taken French, so I don’t know the direct translation, but in my mind it means, “A little kiss of food. Just for you.” It’s always a surprise when it arrives and I’ve never been disappointed by what the chef offers.

The first course was a goat cheese and sun-dried tomato mille feuille. When I saw it on the menu, I liked all the ingredients, but, have never taken French, was not sure how to pronounce it. “I’ll have the mmmmm….” I said, pointing at the menu. “Ah, the mille feuille. An excellent choice,” rolled off the waiter’s tongue.

It had a delicious pesto on the side, which complemented the richness of the goat cheese nicely. For my main course, I ordered a seafood risotto. When I ordered it, the waiter described a special of the day, which I assume was also seafood. I couldn’t understand what he was saying, even after asking him to repeat it several times. In my head I was thinking, “I don’t want to be *that* American. The one that says, “Huh?” “What?” So I smiled and said, “That sounds delicious, but I think I’ll try the seafood risotto. Thank you.”
And I wasn’t disappointed. It came, a plate of creamy seafood with a light garlic sauce surrounding it. Grilled John Dory, a huge tiger prawn, a few tender scallops, crisp snow peas, and grilled baby squash sat upon the clouds of risotto.

At this point, I was watching the sun set and the lights start to flicker on in the town. I was thinking about how my vacation couldn’t have been any better. For five days, I had been surrounded by beautiful music. I had eaten delicious local cuisine. I had been surrounded by beautiful design, almost everywhere I went. I had ridden a train through Hungary, Slovakia, and the Czech Republic. I was feeling very lucky, and very grateful.
And then he offered me the dessert menu. I guess sometimes life can get better. I asked him what his favorite dessert was. He grinned, then said the creme brulee sampler. Creme brulee? My favorite dessert of all time? Four individual ramekins of deliciousness, all different flavors? Yes, please.

The creme brulee was perfect. Tiny ramekins, a couple of bites each, of deliciously flavored sweetness – lemon-thyme, pistachio, coffee bean, and saffron. Somewhat to my surprise, the saffron was my favorite. The savoriness of the saffron contrasted nicely with the sweetness of the creme.
And that was my last supper in Prague. A perfect way to end a perfect vacation.
I wanted to go, and at the same time I didn’t want to go. I imagined that it was one of those experiences that I would remember, or that would move me, but wouldn’t necessarily be fun. I hadn’t planned to visit a concentration camp; the opportunity snuck up on me. In my limited understanding of world history, I assumed all the concentration camps were in Germany. While perusing tourist opportunities here in Prague, I came across an ad to visit Terezin, the Czech concentration camp. I decided to go.
We drove an hour north of the city. We entered a museum of sorts, filled with memorabilia and documentation in Czech, German, English, and Hebrew. There were photos. Drawings. Diary entries. Yellow Star of Davids with “Jude” written in them. Video clips. Rosters. Quotes. Two floors of history. And a showing of a propaganda film, “The Gift of a Town.” I took all this in, interested, curious, realizing my knowledge of World War II has significant gaps.
Next, the cemetery. We walked down a long road flanked by trees losing their leaves. The first thing we saw was an oversized menorah, surrounded by hundreds of identical tombstones. The day was cold and grey, fitting for visiting a cemetery. I walked among the tombstones, noticing that small rocks had been placed on top of many of them. The tour guide called me to join him near a building.
“We’re now entering the crematorium,” he said as he walked ahead of me. Oh, wait. Crematorium? I didn’t remember reading that on the brochure. I hesitated. Was this really something I wanted to do? Not sure, I followed.
As I entered, I felt as though the air had been sucked out of my lungs. Even after 65 years, death was present. I quietly walked around, lit a candle, said a prayer of remembrance, then waited outside.
Our next stop was the Small Fortress. This was where political prisoners, Jewish and non-Jewish, were imprisoned. Because I was the only English speaker in our French tour group, I had my own guide, Camille. She led me through various blocks, group cells, solitary confinement cells, the sick room with only 12 beds (more people were sick than that, she explained, but most stayed in their group cells, infecting the others), and the arch which read “Arbeit Macht Frei” – work will make you free. She leaned over to me in a confidential stance. “Of course,” she whispered, “that was a lie. Once you entered the Small Fortress, you were never free.” We continued walking.
We walked through more blocks of cells, then came to an opening in the wall. We stopped. “This is a happy place. This is where three prisoners were able to escape.” Camille then explained that others attempted escape, were caught, and were executed, in addition to a few prisoners selected at random, to act as a warning to the other prisoners not to attempt escape.
“Are you claustrophobic?” I shook my head no and she motioned for me to descend stairs to a tunnel. The ceiling was barely six feet; I could feel how close the top of my head was to the rough stone. “Walk,” she said. I walked; she followed directly behind me. I assumed that at the end of the tunnel there would be another staircase leading back outside. Instead there was a turn. And another long tunnel. And another. After about ten minutes of walking in silence, I began to second guess my confident answer claiming I wasn’t claustrophobic. This would be the ideal place to commit a murder. Camille wouldn’t kill me, though, right? I mean, surely the Frenchies would notice I was missing. The tunnel became more and more narrow.
Why wasn’t she sharing tour information with me? She had been quite chatty up until that point. “So, what were these tunnels used for?” “The Germans blocked them off. They weren’t used for anything during WWII. Before, however, when this was a fortress, they would lure enemies into the yard outside then shoot them through the small gun holes.” Oh. After what felt like an eternity, we emerged from the darkness. Into the execution yard.
Stories of execution were followed by a tour of the officers’ quarters (they even had a swimming pool and a cinema) then another cell block. Towards the end of the war the Germans didn’t want any prisoners near the advancing front, so they transferred prisoners to an already crowded Terezin. Group cells that were meant for 50 people contained up to 400. 
And with that, the tour was finished. Not fun, but forever etched in my memory.
Prague = music.
Everyday here I have been surrounded by music. A chamber concert in a beautifully restored hall, complete with art deco stained glass windows and an intricately painted ceiling. Dixieland jazz, on the river front. Showtunes on the grand piano as I dine, savoring Czech delicacies. And then tonight, an impromptu performance with an accordion player on the sidewalk.
The streets were eerily empty as I walked home from dinner. I heard an accordion playing in the distance. As I walked, the notes grew louder. The musician, along with a friend, appeared, coming round the corner, walking towards me. The first few notes of Dream a Little Dream of Me eked out, the musician half-heartedly singing along. We passed each other as he played the chorus. I joined him in song, “But in your dreams, whatever they be…” We passed, then turned round to face each other, singing, “Dream a little dream of me….”
I’ll miss you, Prague.
“What is that? Are you sending SMS’s to your friends?” the waiter asked me as he pointed to my Kindle.
“No, it’s a Kindle. For reading.”
“For reading? Those are the books you wrote? On that?”
“No (though secretly wishing the answer was yes). It’s like an electronic library. I download the books when I’m at home, then I can read them when I travel.”
“This, I think this is a good idea. I like this Kindle.”
When I arrived, my airbnb host, Dragan, pointed to a structure on the hill across the way. “That is the Eiffel Tower of Prague,” he said. “You can climb to the top and see a beautiful view.”
So, we did. This climb was 299 steps to the top, but the turning diameter wasn’t quite as tight as the South Tower, which prevented on onslaught of dizziness. The view from the top was spectacular. Even though it was a hazy day, you could see across the city, spires and turrets dotting the skyline.
And on the way out of the park, we passed a Magical Cavern! I didn’t get too close to discover what made it magical. I’m guessing trolls and such.
Walking through brightly colored fallen leaves makes me happy.
Upon the recommendation of my airbnb host, Dragan, I spent the afternoon at the Rudolfinium Gallery engaged in Controversies – A Legal and Ethical History of Photography. It was one of the most well-curated and thought-provoking exhibits I’ve been to in a long time. As I entered the first room of photographs, I was given a metal clip. I wasn’t sure what to do with it, then noticed that each photograph in the exhibition had a stack of papers beside it. The history of the photograph and the reason it was included in the exhibit was included in Czech on one side and English on the other. The papers had holes punched in them and stacked neatly on the clip, so that by the end of the exhibition I had my own exhibition memoir. Just another thing that Prague does so right (in addition to ceilings, beer, castles, and heated towel racks).
The first piece in the exhibit highlighted the Portrait of the Count of Cavour by Mayer and Pierson. The photographers discovered that others were reproducing their portrait and took them to court, claiming the other reproductions were fake. Legally, in order for something to be considered fake, the original had to be a work of art. Was photography art? The Parisian courts ruled yes and photography gained the status of art in 1862.
From there, the exhibit focused on what is considered art, particularly around socially controversial topics (i.e. child nudity, nudity in general, alternative lifestyles); when subjects should be compensated for being photographed; what constitutes plagiarism in use of photographs or ideas; and the use of photographs for propaganda.
The last point, using photographs to further propaganda, particularly resonated with me. Images move me. I see a picture and a lasting impression is made. What then, when the image isn’t representing what it claims?
The most impressive example of this was the photo taken by Robert Maass in Timisoara, Romania. I remember when this photo was published, and feeling naively horrified that such brutality continued to occur in the world. The photo was meant to convey the atrocities that took place during the dictatorship of Ceausescu. Later it was learned that leaders of the revolt had staged the photo session, and the man crying over the woman and baby in the mass grave wasn’t related to either. The woman was purported to have died of cirrhosis, and the baby (not hers), of SIDS.
Over a hundred photographs later, I was exiting the museum, still pondering the questions raised by the exhibit, and feeling simply in awe of seeing original prints of iconic photographs.
One highlights of the day included exploring St Vitus Cathedral and marveling at the scale and the intricacy of everything. From the outside, the building is intimidating – huge blocks of carved stone, eerily dark. Once inside, however, there’s an abundance of light. In the stained glass windows, in the vaulted ceilings, in the light reflecting off of the gilded surfaces.
After the cathedral, I wandered around, getting lost in alleys and reading my map incorrectly. I figured it didn’t matter, though, as I was inside a walled area so I couldn’t get too lost, right? I love the cobblestone patterns, as well as the manhole covers. Works of art!
As I was looking to find my way out of the castle compound, I stumbled upon this poster. Robots? Why yes, please. Along with teddy bears, dollhouses, Christmas ornaments, wind-up toys, and a 50th anniversary tribute to Barbie.